BIO

My painting practice is grounded in a sensory and intuitive engagement with the world, where environment, materiality, sound, memory, and artifice intersect in layered and exploratory ways. Central to my work is an investigation into the ongoing dialogue, responsive and relational qualities of paint and surface.

Operating at the intersection of the visual and tactile, my approach is guided by an attunement to subtle expression between colour and sound, evoking a kind of synaesthetic mapping. This interplay informs both the conceptual underpinnings and formal strategies within the work, where gesture, layering, and texture are deployed as modes of narrative construction and spatial resonance.

Themes of place, embodiment, and lived experience emerge through these processes, often refracted through memory or imagined atmospheres. Rather than illustrating fixed narratives, my paintings remain open - sites of sensory translation where ambiguity, intuition, and material presence are prioritised over resolution.

I hold a Bachelor of Fine Art with Honours in Painting and Art History from Chelsea College of Art & Design, London, and a Research Master’s in Painting from the Royal College of Art, London.

I currently live and work on Yugambeh Country, in Tamborine, Queensland.