My painting practice explores the sensory and relational qualities of paint and surface, where environment, materiality, sound, memory, and artifice converge in layered, intuitive ways. Gesture, texture, and colour operate as modes of narrative and spatial resonance, evoking a synaesthetic dialogue between the visual and the tactile. Through these processes, themes of place, embodiment, and lived experience emerge, often refracted through memory or imagined atmospheres, privileging intuition and material presence over fixed narratives.

I hold a Bachelor of Fine Art with Honours in Painting and Art History from Chelsea College of Art & Design, London, and a Research Master’s in Painting from the Royal College of Art, London. I live and work on Yugambeh Country, in Tamborine, Queensland.